Moloko


Formed: 1994
Location: Sheffield, England
Genre: Dance, Trip Hop
Years Active: 1995 - 2003
Meaning of the Name: Moloko is Russian for milk.
Core Members: Róisín Murphy, Mark Brydon
Way of Working: Collaborative

Essential Releases

Moloko - Things to Make and Do

Things to Make
and Do (2000)

Departs from their electronic trip hop into a funkier sound.

Moloko - Statues

Statues (2003)

Deeply personal final album about a relationship in its final stages.


It's 1994 in Sheffield, a city known as a powerhouse of electronic music that birthed the groundbreaking Warp Records and bands such as The Human League. In this hotbed of sound, a new group was about to make its own contribution to the city's legacy: an Irish immigrant, 21-year-old Róisín Murphy, sang over her boyfriend Mark Brydon's beats, and Moloko was born.

It would be easy to consider Brydon, who was twelve years her senior and established in the industry as the leader of the group, but theirs was a creative and romantic partnership from the start. The title of their first album was taken from a chat-up line Murphy used on Brydon "Do you like my tight sweater? See how it fits my body?" That very night, they recorded for the first time. Although Brydon valued her input, he taught Murphy the tricks of the trade, given her limited prior singing experience and lack of formal training.

Despite having a fondness for four on the floor house, the pair wanted to do something fresh and made sensual downtempo with playful elements of funky house. Much to their surprise, the music press classified it as part of the fashionable trip hop movement. However, the deep basslines of seductive tracks like 'Day for Night' were actually inspired by experiments Brydon conducted as a part of his previous group, the acid jazz collective Cloud Nine.

While later singles were commercially successful, their most interesting album is Statues. Recorded after the end of their romance, it serves as a public document of their tumultuous split and was only made due to contractual obligations to their label, Echo Records. Statues, as the name suggests, came at a time when the pair were frozen in time, apart, but together for one last go around, whether they liked it or not.

The result is a bittersweet, pulsating record fraught with a sexual tension and raspy vocals, their career in epilogue. The passion is gone, made clear with lyrics such as "When this life is so empty, there's nobody to love me" (from 'Forever More'). It's a remembrance of their shared journey through love and the music business that whisked them away to the glittering lights of the pop charts.

The song 'The Only Ones' illustrates this with its title, taking the singular 'one' and making it plural. Crucially, they aren't a couple as they used to be, but "ones" — two separate individuals. Things may have ended badly, but as the saying goes, it's better to have loved and lost. For years, Moloko produced sultry music suitable for both dance floors and sleek lounge bars, a poignant legacy of a love affair played out in song.


Skills

*This is a work in progress. Values are subjective.

Emotional Impact

i Does it connect with the heart? What does it make you feel and how much of it?
60

Mental Impact

i Does it connect with the head? Social issues, interesting observations, clever lyrics, similies etc.
55

Originality

i Are they unique? Did they break new ground, use new techniques or create new genres.
65

Artistry

i Using creativity and imagination to present themselves in a unique way. Example, Wu-Tang Clan as Shaolin and Marvel characters etc.
65

Authenticity

i Do they really mean what they say? Is it autobiographical, personal?
90

Live

i Stage presence, working the crowd, performance. Miming, forgetting lyrics reduce this.
70

Production

i Studio techniques. More important for electronic music including hip hop.
85

Musicianship

i Their ability to play individually and as a group. Technical skills. DJing. Freestyling for hip hop.
70

Singing

i Technical attributes.
80

Songwriting

i Storytelling. Cohesive themes. Is the song about something? Stan by Eminem is an example of excellent songwriting.
85

Danceability

i Does it make you move? Do you tap your foot, nod your head or move your whole body?
80

Fun

i Is listening to it a good time? Are the lyrics funny? Depressing themes lowers value.
80

Consistency

i Have they put out good music across their careers. Two good albums and 5 band ones will reduce this value.
70

Range

i Fast, slow, ballads, party jams. Do they go beyond their own genre?
70

Cool

i Laid-back, icy detachment, unflustered.
65

Charisma

i Factors include appearance, force of personality. Elvis making people faint etc.
65


Commercial & Critical Success

Awards

Certifications >>>

  • Do You Like My Tight Sweater? - Silver in the UK
  • Things to Make and Do- Platinum in the UK
  • Statues - Silver in the UK

Charts >>>

  • Things to Make and Do- #3 in the UK
  • Statues - #1 in Belgium

Critics

  • Fact: II - Best Albums of 2019: #14

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