The Brian Jonestown Massacre

The Brian Jonestown Massacre - Anton Newcombe

Anton Newcombe

Vocals, Guitar, Various

The Brian Jonestown Massacre - Matt Hollywood

Matt Hollywood

Guitar

The Brian Jonestown Massacre - Ricky Maymi

Ricky Maymi

Bass

The Brian Jonestown Massacre - Jim Macpherson

Jeffrey Davies

Guitar

The Brian Jonestown Massacre - Joel Gion

Joel Gion

Virtuoso tambourinist


Formed: 1990
Location: San Francisco, California, USA
Genre: Rock, Neo-Psychedelia, Shoegaze
Years Active: 1990 -
Meaning of the Name: Inspired by the former Rolling Stones member Brian Jones, and the cult leader Jim Jones, who led the ill-fated Jonestown cult in Guyana.
Primary Songwriter: Anton Newcombe
Associated: Black Rebel Motorcycle Club, The Dandy Warhols
Labels: Bomp! Records, A Records, Tangible

Essential Releases

The Brian Jonestown Massacre - Pod

Methodrone (1995)

Debut album. Shoegaze and psych. Hypnotic and messy.

The Brian Jonestown Massacre - Their Satanic Majesties' Second Request

Their Satanic
Majesties' Second
Request (1996)

LSD-inspired odyssey through rock history.

The Brian Jonestown Massacre - Give It Back!

Give It Back! (1997)

Recorded in only six days. Dense textures and swaggering attitude.

The Brian Jonestown Massacre - Bravery, Repetition and Noise

Bravery, Repetition
and Noise (2001)

More introspective. Darker. Atmospheric.


Part creative genius, part drug addict, Anton Newcombe leads The Brian Jonestown Massacre like a rambling prophet on a permanent pub crawl. With his hypnotic guitar aimed at no-one in particular, he struts through sets that contain moments of pure magic, despite the occasional detour to the gutter.

Shambolic and mesmerising in equal measure, Brian Jonestown are a spectacle of creative destruction. They hurtle toward the Gods of psychedelic rock like an unbalanced drunk trying to stay upright, only to spectacularly fall down at the final moment, before getting up and trying again.

The idiom "less is more" is one Newcombe spent three decades ignoring. In the '90s, the band pushed "sex, drugs, and rock 'n' roll" to its breaking point; the music was fueled by chemical excess, and the inevitable fistfights that followed. Boasting a roster of over 60 members, they resembled a half-way house for recovering musicians instead of a traditional band.

Adding to the chaos was a prolific, almost manic, output. In 1996 alone, which is arguably their creative peak, the group released three full-length albums. Throughout it all, Newcombe was the anchor. He is their only persistent member, having spent over 35 years in the band, which is more than half his life.

Conventional wisdom states that if Brian Jonestown curated their best songs into a single album every three years, they would have produced a true classic. However, they were defined by their wild lifestyle that infused their jam-based approach. By taking it away you would remove the special ingredient. The sheer unpredictability of their live shows made them unmissable for adventurous fans of independent music who preferred raw authenticity over rehearsed rebellion.

Such gigs would, at times, disintegrate into impromptu brawls between band members and people in the audience alike. Much of the improvisation was impossible to replicate; the music was for the moment, like a Buddhist mandala, important not because it endured but because it existed.

Somewhere within the madness, however, was genius trying to get out. There's a universe where Anton Newcombe is mentioned in the same breath as John Lennon or Bob Dylan, as one of the world's great songwriters. He may not have produced the "masterpiece" his potential demanded, but there was glory in the attempt.


Skills

*This is a work in progress. Values are subjective.

Emotional Impact

i Does it connect with the heart? What does it make you feel and how much of it?
85

Mental Impact

i Does it connect with the head? Social issues, interesting observations, clever lyrics, similies etc.
65

Originality

i Are they unique? Did they break new ground, use new techniques or create new genres.
75

Artistry

i Using creativity and imagination to present themselves in a unique way. Example, Wu-Tang Clan as Shaolin and Marvel characters etc.
80

Authenticity

i Do they really mean what they say? Is it autobiographical, personal?
95

Live

i Stage presence, working the crowd, performance. Miming, forgetting lyrics reduce this.
70

Production

i Studio techniques. More important for electronic music including hip hop.
60

Musicianship

i Their ability to play individually and as a group. Technical skills. DJing. Freestyling for hip hop.
80

Singing

i Technical attributes.
70

Songwriting

i Storytelling. Cohesive themes. Is the song about something? Stan by Eminem is an example of excellent songwriting.
75

Danceability

i Does it make you move? Do you tap your foot, nod your head or move your whole body?
65

Fun

i Is listening to it a good time? Are the lyrics funny? Depressing themes lowers value.
75

Consistency

i Have they put out good music across their careers. Two good albums and 5 band ones will reduce this value.
60

Range

i Fast, slow, ballads, party jams. Do they go beyond their own genre?
80

Cool

i Laid-back, icy detachment, unflustered.
90

Charisma

i Factors include appearance, force of personality. Elvis making people faint etc.
60

Commercial & Critical Success

Awards

Certifications

Charts

Critics >>>

  • Pitchfork - Methodrone - The 50 Best Shoegaze Albums of All Time (2018): 33rd

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