Sparklehorse


Born: 1962
Location: Arlington, Virginia, USA
Genre: Rock, Indie Rock, Alt-Country
Years Active: 1995 - 2010
Real Name: Mark Linkous
Meaning of the Name: Another word for motorbike. Linkous was friends with a biker gang as a teenager.
Way of Working: Single artistic vision

Essential Releases

Sparklehorse - Good Morning Spider

Good Morning
Spider (1998)

A dark album recorded after a near-death experience.

Sparklehorse - It's a Wonderful Life

It's a Wonderful
Life (2001)

More accessible and commercially viable. Polished indie rock.


The reclusive multi-instrumentalist behind Sparklehorse, Mark Linkous, had a near-death experience only a year into his music career. He overdosed on a cocktail of prescription drugs and alcohol while supporting Radiohead on a tour of the UK in 1996 and spent six months confined to a wheelchair. Linkous walked again, but never fully regained the use of his legs.

The first two Sparklehorse albums were recorded at a lonely farmhouse in Dillwyn, Virginia (population 440). Linkous played every instrument, wrote every word of every song himself. Each was a pure distillation of the man and the music he kept for company, like a fine-grain whisky maturing in a barrel. But the music industry kept knocking at the door.

Capitol Records, like a surly lawman, insisted he open on up and invite the world in to play. The resultant It's A Wonderful Life (2001) featured collaborators from places as far afield as Sweden (The Cardigans' Nina Persson) and the United Kingdom (PJ Harvey, Adrian Utley of Portishead, and John Parish), and what was once the work of a solitary man in his run-down farmhouse encompassed the globe. Even the bedraggled grandee of American misfits Tom Waits provided vocals on 'Dog Door'.

By calling his album It's A Wonderful Life, Linkous was making a joke at the expense of critics who labelled his music as depressingly morose, but the album did have the joyful quality of adventure that comes from embracing the world and was missing in his earlier work.

"I got fed up with people in America thinking that my music is morose and depressing and all that. That song ('It's a Wonderful Life') is like a 'fuck you' to journalists, or people who are not smart enough to see what it is.

But in the end, it was more about how everyday, you should pick up something, no matter how minuscule or microscopic it is, and when you go to bed, you can say I was glad that I was alive to see that. That's really what it's about." (talking to Free Williamsburg)

Mark Linkous pointed a rifle at his heart and pulled the trigger in 2010, killing himself instantly. He previously spoke of his troubles to The Guardian in 2006: "I was so stoned all the time, I ended up doing drugs to feel normal. After rehab I spent three years writing songs but I lost interest in recording them." Toxicology reports indicate that Linkous had drugs in his system at the time of death: alcohol and benzodiazepines.

Listening to the melancholy alt-country of Sparklehorse is to hear one man's valiant fight with depression. It is unquestionably dark in places, but having the ability to make beautiful music from such emotions takes real artistry. It's like a Virginia sky full of looming clouds that carpet the world in a thick black pitch. Even though you've parted ways with the sun, you know it's still around, silently shining in defiance, and what you choose to think about is the sun. Yes, Mark Linkous lost his battle, but we all lose eventually.


Skills

*This is a work in progress. Values are subjective.

Emotional Impact

i Does it connect with the heart? What does it make you feel and how much of it?
90

Mental Impact

i Does it connect with the head? Social issues, interesting observations, clever lyrics, similies etc.
80

Originality

i Are they unique? Did they break new ground, use new techniques or create new genres.
70

Artistry

i Using creativity and imagination to present themselves in a unique way. Example, Wu-Tang Clan as Shaolin and Marvel characters etc.
70

Authenticity

i Do they really mean what they say? Is it autobiographical, personal?
90

Live

i Stage presence, working the crowd, performance. Miming, forgetting lyrics reduce this.
70

Production

i Studio techniques. More important for electronic music including hip hop.
60

Musicianship

i Their ability to play individually and as a group. Technical skills. DJing. Freestyling for hip hop.
95

Singing

i Technical attributes.
70

Songwriting

i Storytelling. Cohesive themes. Is the song about something? Stan by Eminem is an example of excellent songwriting.
85

Danceability

i Does it make you move? Do you tap your foot, nod your head or move your whole body?
45

Fun

i Is listening to it a good time? Are the lyrics funny? Depressing themes lowers value.
45

Consistency

i Have they put out good music across their careers. Two good albums and 5 band ones will reduce this value.
80

Range

i Fast, slow, ballads, party jams. Do they go beyond their own genre?
75

Cool

i Laid-back, icy detachment, unflustered.
60

Charisma

i Factors include appearance, force of personality. Elvis making people faint etc.
40

Commercial & Critical Success

Awards

Certifications

Charts

Critics


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