Talking Heads

Talking Heads - David Byrne

David Byrne

Vocals, Guitar

Talking Heads - Tina Weymouth

Tina Weymouth

Bass, Various

Talking Heads - Chris Frantz

Chris Frantz

Drums

Talking Heads - Jerry Harrison

Jerry Harrison

Guitar, Various

Formed: 1975
Location: New York, New York, USA
Genre: Punk, New Wave, Post-Punk
Years Active: 1975 - 1991; 2002
Meaning of the Name: Term used in TV. Refers to people framed from the shoulders up.
Way of Working: Collaborative
Associated: Tom Tom Club

Essential Releases

Talking Heads - More Songs About Buildings and Food

More Songs About
Buildings and Food
(1978)

Introduced funk elements. First album produced by Brian Eno.

Talking Heads - Fear of Music

Fear of Music (1979)

Darker, rhythm-based album. Anxious.

Talking Heads - Remain in Light

Remain in Light (1980)

Masterpiece. Combines the polyrhythms of funk with influences from early hip hop.

Talking Heads - Speaking in Tongues

Speaking in
Tongues (1983)

More commercial. Contains the hit single 'Burning Down the House'.


Talking Heads were a band defined by a contradiction between primitive urges and technological sophistication. Their work suggested that the dividing line between the two was thinner than commonly assumed, and provided a unifying sound of a world marching in step.

Nowhere is this dichotomy more palpable than on their post-punk masterpiece: Remain in Light (1980). Recorded in various locations, including the sun-soaked Bahamas and the concrete grit of New York City, the album represents a fusion of First and Third World influences.

The result was a revolution in texture. Producer Brian Eno, fresh from his work with Roxy Music, applied his trademark "Enossification" to the album, brightening instruments and using the studio as an extra member of the band. Yet, the most striking innovation was the repetitive loops that were played by human hands.

Where a machine would produce a sterile, technically perfect identical repetition, the band's rhythm section played each individual loop themselves, creating microscopic variations in timing and velocity that made it felt alive. The result was a dense, interlocking urban jungle of sound, at once ancient and futuristic, electric and acoustic.

Lyrically, the band served as a mirror to the anxieties of the late 1970s and early 80s. If the optimism of the Kennedy era had curdled into the cynicism of Nixon and the Cold War, Talking Heads provided the soundtrack to the fallout.

On 'Born Under Punches', vocalist David Byrne adopts the persona of "government man," exploring the erosion of trust in public institutions. The lyrics oscillate between the oppressor and the oppressed, capturing the mood of a populace beaten down by recession and the looming shadow of the Vietnam War.

Such a tendency was also present on earlier tracks such as 'Don't Worry About the Government' (1977), that offered a scathing satire of suburban complacency that was decades ahead of its time. Byrne's lyrics on the latter depict a self-centred protagonist comfortable in his luxury, oblivious to the environmental and social decay outside his window, that is eerily similar to modern concerns about climate change and creeping authoritarianism.
"My building has every convenience. It's gonna make life easy for me."
Talking Heads also expressed these ideas visually. The cover of Remain in Light features the members' faces obscured by red, pixelated masks. It is a striking juxtaposition: computer manipulation used to evoke tribal face paint, questioning whether the modern Westerner is truly distinct from more "primitive" cultures.

This theatricality culminated in the Stop Making Sense era and Byrne’s infamous "Big Suit." A garment of comical proportions that swallowed him whole. It made him look like a child playing dress-up in his father's clothes. While comically absurd, the suit was a potent metaphor for the hollowness of 1980s consumerism and status-seeking. It suggested that the pursuit of material wealth is an ill-fitting costume, unnatural and restrictive.

Ultimately, Talking Heads succeeded because they embodied the anxieties of the time, instead of merely critiquing them. They took the paranoia and gave it a rhythm.


Skills

*This is a work in progress. Values are subjective.

Emotional Impact

i Does it connect with the heart? What does it make you feel and how much of it?
85

Mental Impact

i Does it connect with the head? Social issues, interesting observations, clever lyrics, similies etc.
85

Originality

i Are they unique? Did they break new ground, use new techniques or create new genres.
95

Artistry

i Using creativity and imagination to present themselves in a unique way. Example, Wu-Tang Clan as Shaolin and Marvel characters etc.
90

Authenticity

i Do they really mean what they say? Is it autobiographical, personal?
85

Live

i Stage presence, working the crowd, performance. Miming, forgetting lyrics reduce this.
100

Production

i Studio techniques. More important for electronic music including hip hop.
90

Musicianship

i Their ability to play individually and as a group. Technical skills. DJing. Freestyling for hip hop.
90

Singing

i Technical attributes.
70

Songwriting

i Storytelling. Cohesive themes. Is the song about something? Stan by Eminem is an example of excellent songwriting.
90

Danceability

i Does it make you move? Do you tap your foot, nod your head or move your whole body?
70

Fun

i Is listening to it a good time? Are the lyrics funny? Depressing themes lowers value.
65

Consistency

i Have they put out good music across their careers. Two good albums and 5 band ones will reduce this value. Reduced for Pixies due to their post-reunion albums. The last two Talking Heads albums were lower quality.
75

Range

i Fast, slow, ballads, party jams. Do they go beyond their own genre?
95

Cool

i Laid-back, icy detachment, unflustered.
60

Charisma

i Factors include appearance, force of personality. Elvis making people faint etc.
70

Commercial & Critical Success

Awards

Certifications >>>

  • Talking Heads: 77 - Silver in the UK
  • More Songs About Buildings and Food - Gold in the US & the UK
  • Fear of Music - Gold in the US; Silver in the UK
  • Remain in Light - Gold in the US, Canada & the UK
  • Speaking in Tongues - Platinum in the US & Canada; Silver in the UK
  • Little Creatures - x2 Platinum in the US; Gold in the UK
  • True Stories - Gold in the US & the UK
  • Naked - Gold in the US & the UK

Charts >>>

  • Remain in Light - Number 6 in Canada
  • Speaking in Tongues - Number 7 in Canada
  • Little Creatures - Number 2 in Australia; Number 4 in Canada; Number 10 in the UK
  • True Stories - Number 2 in Australia; Number 7 in the UK
  • Naked - Number 3 in the UK

Critics >>>

  • Melody Maker - Fear of Music - Albums of the Year 1979: 1st
  • Melody Maker - Remain in Light - Albums of the Year 1980: 1st
  • NME - More Songs About Buildings and Food - Albums of the Year 1978: 4th
  • NME - Fear of Music - Albums of the Year 1979: 1st
  • Pitchfork - More Songs About Buildings and Food - Best Albums of the '70s (2006): 45th
  • Pitchfork - Remain in Light - Top 100 Albums of the '80s: 2nd
  • Sounds - Remain in Light - Albums of the Year 1980: 1st
  • The Los Angeles Times - Fear of Music - Albums of the Year 1979: 1st
  • Rolling Stone - Remain in Light - The Best Albums of the 1980s (1989): 4th
  • Rolling Stone - Speaking in Tongues - The Best Albums of the 1980s (1989): 54th

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