U.S. Girls
Born: 1985
Location: Chicago, Illinois, USA
Genre: Pop, Art Pop, Hypangogia, Hauntology
Years Active: 2007 -
Real Name: Meghan Remy
Meaning of the Name: Refers to "American" girls. Can also be read as meaning "us" girls, giving it a collectivist/feminist slant.
Way of Working: She hires musicians for touring/studio work
Associated: Slim Twig
Labels: 4AD Records
Location: Chicago, Illinois, USA
Genre: Pop, Art Pop, Hypangogia, Hauntology
Years Active: 2007 -
Real Name: Meghan Remy
Meaning of the Name: Refers to "American" girls. Can also be read as meaning "us" girls, giving it a collectivist/feminist slant.
Way of Working: She hires musicians for touring/studio work
Associated: Slim Twig
Labels: 4AD Records
Essential Releases
Half Free (2015)
A cinematic and haunting album with pop melodies.
In a Poem
Unlimited (2018)
More upbeat and accessible, still artistic in theme. Danceable music with depth
The soloist Meg Remy releases music under the plural moniker U.S. Girls, signalling a broad social perspective about American feminism that is refracted through the prism of the individual. Once a soloist, since her sixth album, In A Poem Unlimited (2018), Remy has performed with a heaving live band of up to twenty people. However, she doggedly retains creative control.
While not strictly autobiographical, Remy's music is raw and visceral. Her songs are exposés of trauma left to fester beneath scar tissue. During her troubled younger years, the singer's drone-laden experimental projects, like Introducing... U.S. Girls (2007), were chaotic and dissonant; the fact that these records were made in isolation speaks to their nature, as tortured battles with an abusive past conducted in darkness.
However, in her 2021 memoir Begin By Telling, Remy brought her life as a survivor of multiple rapes to light. In the book, her experiences are juxtaposed with key '90s moments, such as the Clinton/Lewinsky affair (abuse of power) and Operation Desert Storm (killing for profit), to ground them in time and link personal injustice to the wider failure of social systems. Her music operates on the same frequency.
Half-Free (2015), for instance, with its hypnotic loops and claustrophobic synths, explores the tenacity required to survive perpetual cycles of abuse. Externally, women are pressured to meet unrealistic beauty standards ('Woman's Work'); internally, said women repeat the same mistakes as their sisters, dating microbial organisms masquerading as men ('Sororal Feeling').
"I'm gonna hang myself. Hang myself from the family tree."Evidently, Remy's songs are venomous. While her work is often backwards-facing in a personal sense (she is now happily married), it also represents ever present issues such as religious corruption. For example, the song 'Pearly Gates' depicts an imaginary St. Peter exchanging sex for access to heaven. 'Rosebud' tackles war profiteering, and '4 American Dollars' wrestles with the unfulfilled promises of late-stage capitalism.
Remy’s most-acclaimed work, however, possesses an ethereal quality that uses repeating patterns to hypnotise. It's a seduction of sorts; once heard forever enthralled, exposing the listener to head-nodding realities beyond lyrics.
It's also strange that disillusionment is generally perceived as negative, when to be free of an illusion is to see things as they really are. Comforting lies are still lies. To overcome a problem, first it must be acknowledged. Meghan Remy's barefoot live performances ensure her physical connection to every note that vibrates through the floor, because, ultimately, the body keeps the score.
Skills
*This is a work in progress. Values are subjective.Emotional Impact
80
Mental Impact
70
Originality
75
Artistry
85
Authenticity
75
Live
80
Production
75
Musicianship
80
Singing
75
Songwriting
75
Danceability
70
Fun
65
Consistency
60
Range
80
Cool
60
Charisma
55
Commercial & Critical Success
Awards >>>
- Juno Award Nominee x2: Best Alternative Album of the Year
- Polaris Music Prize Nominee x3
Certifications
Charts
Critics >>>
- Pitchfork - Heavy Light - The Best Albums of 2020: 15th
