The Beths
Liz Stokes
Vocals, Guitar
Jonathan Pearce
Guitar, Vocals
Benjamin Sinclair
Bass, Vocals
Tristan Deck
Drums, Vocals
Formed: 2014
Location: Auckland, New Zealand
Genre: Rock, Power Pop, Indie Rock, Indie Pop
Years Active: 2014 -
Meaning of the Name: Named after vocalist Elizabeth Stokes
Primary Songwriters: Stokes (vocals), Pearce (arrangements)
Labels: Carpark, Ivy League, Rough Trade, Anti-
Location: Auckland, New Zealand
Genre: Rock, Power Pop, Indie Rock, Indie Pop
Years Active: 2014 -
Meaning of the Name: Named after vocalist Elizabeth Stokes
Primary Songwriters: Stokes (vocals), Pearce (arrangements)
Labels: Carpark, Ivy League, Rough Trade, Anti-
Essential Releases
Future Me Hates
Me (2018)
Debut album. Anxious and energetic effort. Jangly guitars.
Jump Rope
Gazers (2020)
More introspective. Slower songs. Dreamier.
Straight Line Was
a Lie (2025)
Back for another lap. Power pop, harmonies, and self-doubt
The Beths are a band for people who feel the fear and do it anyway. Their self-deprecating and insightful lyrics present depression in an atypical way, contrasting the themes with upbeat music that sidesteps morose minor keys. In their place are energetic, jangly guitars, and layered four-part harmonies that evoke nervous energy or loneliness in crowds.
Formed in Auckland, New Zealand by four university friends, The Beths take their name from singer-songwriter Elizabeth Stokes, but are more than a one-woman band. Each member studied jazz at the university's music department, equipping them with a technical fluency that enriches their particular brand of power pop. They employ such jazz techniques as sophisticated harmonic shifts, extended chords, and interwoven backing vocals that each have distinct melodic lines.
These elements shine brightest live, where the band deliver near-perfect replicas of their studio tracks. Contrasting this professionalism is a relatable demeanour that sees them appearing in shorts and pastel hues instead of theatrical costumes; their good‑natured grins disarming the formality of the stage. The Beths smile so much that it's easy to see them as charming sitcom characters, playing catch in the backyard before accidentally stepping on a rake.
This is where the contradiction at the centre of the band comes in. Accompanying the high-tempo music is a sardonic wit that adds wistful layers of meaning to their songs. When Stokes sings of understanding love, on 'Expert In A Dying Field', it's too late to savour the results:
"Love is learned over timeAdditionally, the album cover for Future Me Hates Me (2018) shows a woman unable to look at herself in the mirror, while her scolding reflection stares straight back. However, the framing here is optimistic, as 'future' Beth is disgusted by her counterpart in the present, suggesting that she sees the future as a time of improvement.
'Til you're an expert in a dying field"
This unusual tendency to oscillate between worry and hope reflects the bittersweet roots of foundational power pop bands such as Big Star and The Raspberries, while also being true to the anxiety of recent times. The Beths remain active, with four remarkably consistent albums to their name.
Skills
*This is a work in progress. Values are subjective.Emotional Impact
85
Mental Impact
75
Originality
70
Artistry
65
Authenticity
95
Live
90
Production
75
Musicianship
85
Singing
85
Songwriting
90
Danceability
70
Fun
70
Consistency
90
Range
60
Cool
35
Charisma
70
Commercial & Critical Success
Awards
Certifications
Charts >>>
- Jump Rope Gazers - Number 2 in New Zealand
- Expert in a Dying Field - Number 1 in New Zealand
- Straight Line Was a Lie - Number 5 in New Zealand
Critics >>>
- Stereogum - Expert in a Dying Field - Best Albums of 2022: 7th
