Beach Fossils


Formed: 2009
Location: New York, New York, USA
Genre: Dream Pop, Surf Rock
Years Active: 2010 -
Meaning of the Name: Chosen randomly out of a notebook.
Core Members: Dustin Payseur
Way of Working: Led by Dustin Payseur

Essential Releases

Dummy

Clash the Truth (2013)

Dark dream pop.

Album Title 2

Somersault (2017)

Surfing on a sea of nostalgia.


One day in North Carolina a young Dustin Payseur dropped out of university, packed his bags and traveled over 500 miles (813 km) to become a rock star in the big apple. They say a journey of a thousand miles starts with a single step because the first step is often the hardest. Sometimes a person hears destiny calling.

Upon reaching the promised land of New York, Payseur assembled a band who pursued a lo-fi, dream pop aesthetic through the cities clubs until they found their sound. An arduent process culminating in the 2017 release of Somersault.

It wasn't all plain sailing however. One day, in 2017, the bands drummer, Tommy Gardner, had himself felt the inextricable lure of fate and announced he was leaving the band leaving to become a Buddhist monk.

This difficult period was preceded by a change in the way Beach Fossils operated. Previously, Dustin Payseur had full creative control, but on the record that would become Somersault, he shared the reins. The result was the group's best-received project to date.

Somersault, as the name suggests, was a change in direction, moving towards a more joyful, mature territory that was a culmination of their time in the big city. It had been seven years in the making, four of which were spent on this record. Previously, they had released two albums in a three year period, which is to be expected from an eager young band wanting to be heard.

The time sunk into Somersault was an investment that paid dividends. It's a richly layered and textured album that features complex arrangements absent from their earlier efforts. Some bands shine brightly for a short time before fizzling out, but in the case of Beach Fossils, their sound matured as they did, slowly, with practice, and patience.


Skills

*This is a work in progress. Values are subjective.

Emotional Impact

i Does it connect with the heart? What does it make you feel something how much of it?
65

Mental Impact

i Does it connect with the head? Social issues, interesting observations, clever lyrics, similies etc.
60

Originality

i Are they unique? Did they break new ground, use new techniques or create new genres.
65

Artistry

i Using creativity and imagination to present themselves in a unique way. Example, Wu-Tang Clan as Shaolin and Marvel characters etc.
45

Authenticity

i Do they really mean what they say? Is it autobiographical, personal?
40

Live

i Stage presence, working the crowd, performance. Miming, forgetting lyrics reduce this.
80

Production

i Studio techniques. More important for electronic music including hip hop.
80

Musicianship

i Their ability to play individually and as a group. Technical skills. DJing. Freestyling for hip hop.
80

Singing

i Technical attributes.
80

Songwriting

i Storytelling. Cohesive themes. Is the song about something? Stan by Eminem is an example of excellent songwriting.
85

Danceability

i Does it make you move? Do you tap your foot, nod your head or move your whole body?
60

Fun

i Is listening to it a good time? Are the lyrics funny? Depressing themes lowers value.
55

Consistency

i Have they put out good music across their careers. Two good albums and 5 band ones will reduce this value.
55

Range

i Fast, slow, ballads, party jams. Do they go beyond their own genre?
75

Cool

i Laid-back, icy detachment, unflustered.
65

Charisma

i Factors include appearance, force of personality. Elvis making people faint etc.
55

Commercial & Critical Success

Awards

Certifications

Charts

Critics



CRITICISM

  • Dismissed by some as music for posing hipsters in Brooklyn.
  • There's a perception that the band are trust fund kids. This was strengthened when bassist John Pena thew his guitar into New York's east river in 2010. It was simply something a struggling musician wouldn't do.


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